Audio developer · Music technologist and educator · Musician & arranger
Essays on the voice, the body, and what it means to sing. These are living drafts — I keep reworking them.
Why we don’t recognise a hum as a “real” song, why you already have pitch, and why “was that singing?” is a question that only exists once you’ve stopped singing.
On shame and the private voice: the shower as the first safe room, the politics of who’s allowed to make a sound where, and how a voice gets un-conditioned back into the world.
Embodied musical knowledge is gatekept — you inherit it or you pay. On using technology to pass it on as a complement to a real teacher, the tool that succeeds by making itself unnecessary, and why the coders should be the beginners.