Audio developer · Music technologist and educator · Musician & arranger
Essays on singing, music and transdisciplinary stuff. For transparency: I use AI for revision and editing suggestions, but the writing is mine.
Why we don’t recognise a hum as a “real” song, why you already have pitch, and why “was that singing?” is a question that only exists once you’ve stopped singing.
A programmer’s shaker and a player’s shaker are not the same object. On what music software tends to miss about the body, and the tools I’d like to see instead: ones that develop skills which persist when you put the tool down.